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George Eid

Paris, France

Creative Director

Member since May 05, 2007

  • Design Diversity in France and the Gaza Strip

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    I moved to Paris almost two years ago and there is one major thing that I noticed - the French love diversity! Crazy about it. It's in their blood ....

    I noticed straight away that French logos were not very appealing to me, my design tastes ... this is the first thing I noticed (sorry Frenchies!!). Every logo tried to be more colorful, more elaborate, more complex and more different then the next. Creating some of the most (in my opinion) ridiculous and god-awful brandmarks that I've every seen.

    But then I realized that this is coming from my American taste for standardization and compliance and my respect for Scandinavian design practices. So now I am split about what I feel is good design and the idea of diversity in design. I ask a French person and they love these logos and say they are more interesting then the American counter-parts. Hmmm ....

    Similarly, advertising in the Middle East is very different then the western world. I've looked at it in the past only to think bad design. But, if those billboards were designed in a way that I would think "good" ... would that fly in the Gaza Strip? Would the people think it bad or just strange? Most likely.

    So, what of the design principles a communications designer learns in school? Tyography, grid, colors, etc ....

    Are these just western standards or inherent principles that all designers must follow? I tend to think that they are and should be standard. They serve a purpose of simplification and communication on a mass level. But I have not come to any final conclusions ... cop-out. sorry ...........

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  • George's post/musing on the universality of design got me thinking...*is* there such a thing as Universal Design?

    I guess designed objects can be usable by a range of differently-abled people...but then something is lost...maybe it gets washed out.

    i wish i could reference more than one post...Christian Etter's recent post on the Globalization of Design points out the homogenization that occurs in the design world with the internet and trade shows.

    I feel that if you try to do too much, to meet too many requirements, to serve everyone...i think something is lost. Cultural specificity. Appropriateness to a particular time and place. Local flavor.

    Are the universal principles of Aesthetics? maybe. But you can't please all of the people all of the time. And who'd want to?

  • hi guys.... not that this is necessarily an extremely vital example, but i've been designing watches for tiffany's for few months, and one of the things that my boss explained to me about the brand strikes me as fitting to what you're talking about here. tiffany's tries very hard to create products that will work in every market. in the end, i think, this works relatively well. sometimes what ends up happening is that they offer different versions of products, they alter details such as the number of diamonds, the complexity and depth of the designs, the type of metal used. sometimes they'll produce particular parts for particular markets- like a special dial for a watch to be sold in japan. sometimes people (usu in arab states) buy the watches and have more diamonds set into them. but in the end, there is some aspect of these products to which people everywhere are drawn, and the need to develop adaptable designs (multiple versions or allow people space to embellish) becomes yet another factor in the design process.

    (disclaimer: yes, people buy the products because they come in a blue box, but there are some tiffany's products that sell well and others that don't, so it isn't simply the desire for the blue box that determines a successful design)

Design saved my marriage ... and my chicken casserole too!

Contact George Eid
http://www.area17.com

My Interests

  • Industrial Design
  • Environmental Design
  • Communication Design
  • Fashion Design
  • Audio/Visual Design

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