Architect: Manuel Ocaña Arquitectos Location: Calle Pelayo, Madrid, Spain Collaborators: Roberto González García, Maja Frackowiack, Michael Rabold y Sebastian Camacho (ground painting) Project year: 2005-2006 Promotor: Benedicta Uría Contractor: Manuel Ocaña Constructed Area: 67 sqm Budget: $75,000 EURO (US $104,775) Photographs: Miguel de Guzman
This is a project where one cannot dismiss the personal dimension of the commission: the refurbishment of an attic for my mother-in-law, Canadian, my daughters’ grandmother. It is a project that detects traces, records them, and leaves new prints for the ‘next one’ that may wish to search. And the idea is to build it following a different protocol. This new construction protocol, its agents and that sort of mystique of the traces will be the ‘Project’.
An oak wood dais of 140 millimeters over furried boards seems to be the appropriate canvas to register the levels of the traces and then build the dwelling on top in order to silence them. The work starts at floor level after the usual procedures of spatial and structural cleansing. That floor, that wood surface, shall unveil the encountered traces. On the one hand detecting the traces, discovering a network of concealed geometries that are outlined when laying the floors through a precise detailing of the boards; on the other, the new traces are stamped by drawing on top of the discovered geometries the portrait of the beautiful woman that will live in the house. This...