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  • Public Health, Complex Systems, and Design

    Community, Industrial Design

    On May 30th - June 1st I had the opportunity to attend a symposium that linked together the concerns of public health professionals and those who study and model complex systems. The symposium was hosted by the <a href="">Center for Social Epidemiology and Population Health </a>and the <a href="">Center for the Study of Complex Systems</a> here at the University of Michigan. The meeting brought together a very diverse groups of individuals. This provided me the opportunity to have substantive discussions with a range of individuals working in public health policy and implementation. <a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href=""><img style="float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;width: 220px;" src="" border="0" alt="" /></a>These interactions helped me gain a recognition for the scale (and complexity) that individuals and organizations face when attempting to solve problems on local and global scales. Among my many encounters, I was able to converse and share ideas with a Professor from Brown University that studies nursing home policy, a graduate student from John Hopkins that ...

  • Graphic Designer

    Communication, Communication Design


  • My work

    Arts & Culture, Communication Design






  • Hello Everyone...

    Peace, Industrial Design

    Hello everyone....

    Im looking forward to help the people around the world and involves with humanatarian works around the world. Hope you all can guide me and advice me.

    Im really concern about the world nowadays. See you all if we have the oppurtunity!!!

  • A Spring in Your Step

    Environment, Fashion Design


    San Francisco design collective LIFT borrows the plant-life phenomenon phytoremediation, the process by which plants can decontaminate their surroundings, and regurgitates it in the form of the friendly Johnny Applesandal. Plant seeds are embedded in the soles, and normal usage allows the seeds to be released as the underside of the shoe wears thin, leaving a trail of greenery to counteract the debilitated urban environment.

    Although the Johnny Applesandal may bear too close a resemblance to its eco-darling ancestor, the Birkenstock (hewn almost entirely from cork, a highly regenerative natural material), surely this concept can provide a launchpad for future footwear, as well as a socially-conscious justification for any shoe fetish.

  • Material Watch: Corrugated Cardboard

    Environment, Environmental Design


    Corrugated cardboard, the Plain Jane of industrial packaging materials, is elevated to high art through the work of Slovenian sculptor Tobias Putrih and the New York-based architecture firm Lewis.Tsurumaki.Lewis. Durable, recyclable, and cheap, this underloved material is celebrated for its structural possibilities in Lewis.Tsurumaki.Lewis’ Ini Ani coffee shop, as the lowly “java jacket” is transformed into a sturdy and attractive wall treatment. Putrih, however, explores the surprisingly ephemeral and light-transmitting qualities of the material in tall, organic sculptures composed of stacked laser-cut cardboard sheets currently on view at the Max Protetch Gallery in New York City.

  • In the spirit of teaching a person to fish as a means of self-sufficiency, enables anyone with a PayPal account to lend funding to aspiring entrepreneurs in developing nations. With a minimum of a $25 contribution, individual lenders can cruise the website for potential candidates and learn about their location, proposed business agenda, and repayment time frame. With, helping out is no longer an act of faceless charity; because the means of support is a loan as opposed to a donation, finances of both the lenders and the borrowers are bound together in a culture of mutual accountability.

    article on in GOOD Magazine:

  • Fashion + Function

    Arts & Culture, Fashion Design


    New York fashion designer Yeohlee Teng approaches the human body as an architect might approach a new site: meticulously, with a mathematical precision and an emphasis on economy and material, this 2004 National Design Award winner treats all built work as an inseparable complement to the body landscape.

    Teng pioneered an early collaboration with Nano-Tex, a high-tech textile manufacturer, and the resulting innovations have given rise to linen that doesn’t wrinkle and silk that can be doused in water, illustrating Teng’s philosophy that everyday usability over preciousness should be a basic tenet of good design.

    Teng often draws on architectural forms and mathematical structures in her work, and under her direction, a mobius strip can become a cocoon-like shawl, an evening gown can appropriate the construction of a suspension bridge, and one rectangular piece of fabric can be cut and reconfigured to construct an entire garment, such that there are no scraps or waste.

  • A world full of bad design

    Environment, Environmental Design

    Unfortunately my headline is true. We live in a world crowded by bad design. Of course, within certain limits, everyone is free to produce and sell whatever they like, and boy, they certainly do. The bad design can be seen in everything from small products to urban architecture. It pollutes our life, both when it’s around us and when it is thrown away. Sometimes you wonder if the manufacturers don’t for a minute think about the mountains of trash they are contributing to.

    In Singapore 10Touchpoints is trying to make a difference. They are working for better design and better living. They see the parking coupon, the seat at the hawker centre or the playground near your block as touchpoints. And well-designed touchpoints close the gap between what people want and need. 10Touchpoints has a nice description on what good design is according to them:

    “Good design puts people in the centre of the design process. It incorporates systems thinking, technology, historical and contextual relevance. It is economically viable. It is informed by ethics and responsibility without impeding social and technical innovation. It is beautiful.

    Good design brings various values such as sustainability, accessibility, usability and beauty to public spaces like our schools, hospitals, food places, and parks.”

    The project 10Touchpoints is launched by the Design Singapore Council and it has enlisted people in identifying things in their everyday public space that are irritating because of po...

  • Could Saab grab the design category?

    Communication, Industrial Design

    I was just reading an article in the Swedish paper Dagens Industri about the design director of Saab, Bryan Nesbitt. Or not really the official design director, he holds the title Executive Director GM Europe design and through that he gets the responsibility for both Saab and Opel (and American car brand Saturn for some reason).

    The design director talks about Scandinavian design values. We should know that he once designed a not that smart and good looking car, the Chrysler PT Cruiser. According to me it is everything but design based on subtle Scandinavian traditions and design trends. It’s design based on vulgarity. Like something out of a cartoon.

    This fact makes me a little nervous. Because I like Saab. I’m actually driving a Saab myself. It is one of the few car brands that still hasn’t ended up in the undistinctive swamp of streamlined standardisation. More or less all cars look the same today. When I was small an Audi was an Audi and a BMW was a BMW. Even Opel had an identity back then… What’s good with Saab today is that they still have a recognisable shape.

    Design has always been important for Saab. To me it is a mystery why Saab doesn’t try to grab and own the category of “design” in the car industry. The design category is still vacant and would give Saab a strong identity side by side with those of “safety” for Volvo, “driving” for BMW, “luxury” for Lexus and “reliable” for Toyota. Today Saab as a brand is somewhat suffering inside the GM family and...

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